Eleanor Oliphant is Completely Fine by Gail Honeyman

Those of you who have followed this blog for a while – or even if you’ve read one or two posts – will know that I love fantasy. The adventure, the different worlds, wonderful characters that have been imagined – but, above all, one of the main reasons I love fantasy is because I can read it so quickly. Not because the writing is easy to skim over or that i can rush through without needing to savour – the opposite, actually. Usually it’s the fantasy genre that has me hooked, has me reading late into the night, vowing to just read one more chapter, or even setting aside hours (or even a whole day) just so I can read it. The thrill, the excitement, the cliffhangers…those are things that I’ve usually only really felt with fantasy.

Then, Eleanor Oliphant is Completely Fine came into my life.


Eleanor Oliphant has learned how to survive – but not how to live.

Eleanor Oliphant leads a simple life. She wears the same clothes to work every day, eats the same meal deal for lunch every day and buys the same two bottles of vodka to drink every weekend.

Eleanor Oliphant is happy. Nothing is missing from her carefully timetabled life. Except, sometimes, everything.

One simple act of kindness is about to shatter the walls Eleanor has built around herself. Now she must learn how to navigate the world that everyone else seems to take for granted – while searching for the courage to face the dark corners she’s avoided all her life.

Change can be good. Change can be bad. But surely any change is better than fine?

There has been a lot of hype around this book, especially from some of my friendship circles. I had wanted to read this book last year, simply because it would have worked with my challenge to read a book that has a character with my name in it. Then, this book completely blew up, winning prizes and adoration from all over the world. I decided to pick it up when I was in a bookstore last month, and last weekend thought it would be a good time to start it.

Honestly? When I started reading it, I wasn’t so sure that I’d like it. I didn’t really like the main character, couldn’t see myself connecting with her, and read the first few chapters very slowly over the course of three days. Then, it hit me. One evening, I decided to read for a bit, only to find that I wanted to keep reading and reading and reading. Soon enough, I was staying up late to read it, and cleared my Sunday of all plans so I could read all day.

Eleanor Oliphant, the character, first comes across as a pretentious, snobby arse, one that no one would like. She’s treated poorly by the people around her, which is the only thing I originally sympathised with. Then, she started talking about her damaging relationship with her mother, snippets of her upbringing, and the negativity she faces from her appearance as she has visible scars. Ever so slowly, I began to sympathise more and more. Her life is regimented; wake up, go to work, eat a meal deal for lunch, wait for work to finish, go home, drink, then sleep and repeat. The loneliness that echoed between the pages was too loud to ignore, and the more you lose yourself in the world of Eleanor Oliphant, the more you feel that suffocating sadness that she seems to perceive as normal, that that was her lot in life.

Eleanor, and the other characters you (and her) are introduced to over the course of the novel begin to steal your heart. I found myself tearing up on more than one occasion, and felt completely swept up in this world. With a deep discussion on mental illness and the effects loneliness can have on a person, never before have I realised how important basic human interaction is. Sure, I have fantasies of reading all day and not leaving my bed, but if I had no one to talk to? That would be crippling in a way I can’t really imagine, something I’ve never before thought about having to go through.

This book is so important, if just to show you how even a little bit of kindness can go such a long way in making someone’s day so much better. I loved this book, and would highly recommend it to everyone and anyone. Yes, it’s sad, but it also makes you feel so incredibly grateful – at least, that’s what it did for me. It made me grateful for the people in my life, the friends I see frequently, my flatmate, my family, even my dogs (although I’m always grateful when it comes to my dogs). It served as an important reminder about what truly matters in life, and all I want to do is return to the world of Eleanor Oliphant, if just for a few chapters to check in, and hope that she’s doing alright. I’d read a sequel in a heartbeat, so beautifully crafted were Gail Honeyman’s characters, and so great my love for them all.


Favourite Books of 2017

2017 was a brilliant year for me in reading terms, with only a few books that I didn’t give four or five stars. Still, there were a few that still shone out from the rest, so these are my Top 10 favourite books I read in 2017. First of all though, honourable mentions go to The Hero of Ages by Brandon Sanderson, A Court of Wings and Ruin by Sarah J Maas, and Gemina by Amie Kaufman and Jay Kristoff. All three fantasy books were definitely some of my favourites read this year, two of which were final instalments of trilogies I adored.

Moving on to the top 10, this ordering of the list is subject to change many times due to my inability to be decisive when it comes to things I love and choosing between them, as really there’s no comparing a few of them. Can anyone truly say that their adoration of an epic fantasy book is in any way comparable to a piece of emotive literary fiction that had their heart clenched within its grip from start to finish? I get very different versions of enjoyment and entertainment from different genres, so as much as I want to list my top three fantasy, top three fiction, top three non-fiction and so on, I’m just going to stick them in an order that works for me at this moment in time.

Who knew a top 10 needed such a preamble. ONTO THE LIST.

10. Lincoln in the Bardo by George Saunders

I loved reading this book, but I’ve grown to love it even more since finishing it and discussing it with others. There was a lot of ‘hype’ and anticipation going into it, which is probably why I was so conflicted about my feelings of it, as although I thought it a brilliant piece of fiction it didn’t change my whole world. Yet, I admit, since discussing its nuances and clever points with friends, I can say that it deserves all of the praise it receives.


9. A Conjuring of Light by V.E. Schwab

Perhaps one of my favourite fantasy authors, the Darker Shades of Magic trilogy was the first book of Schwab’s that I picked up. I finished the first two in as many days, and before the third was released I read several of her other books and equally adored them, so to finish the trilogy that started my love for this author was bittersweet. I’m so happy with how it ended, and can’t wait for what this author will bring in 2018.


8. The Northern Lights series by Philip Pullman

Maybe cheating a little, but I’m listing the whole Northern Lights series as my number 8 for 2017. I read the whole series last year, a feat I’m rather proud of, and plan to read The Book of Dust sometime this year. The first instalment was my first read of 2017, and definitely set the standard for the books that I read afterwards. A brilliant series, one that took me by complete surprise, and I’m so grateful that I finally got a chance to read it for myself.


7. Hold Your Own by Kate Tempest

I’ve been thinking about reading more poetry since finishing university, and after a friend highly recommended Kate Tempest I was so glad that a) my friend has good taste and b) Kate Tempest exists. A beautiful collection, one that is inspiring me to read more and more poetry (recommendations are more than welcome please and thank you).


6. The Secret History by Donna Tartt

Damn, it’s hard to pick between your favourite reads – as if they’re all children who have fulfilled your every wish. The Secret History is a book that everyone and their mothers have been badgering at me to read and, finally, I can say that I fully understand why. Prose so eloquent and rich that I felt like I had to reread sentences, because I was pretty certain that just reading  them once wouldn’t be enough to fully appreciate the complexity of graceful talent that exists within every one.


5. Pachinko by Min Jin Lee

Ah, Pachinko, you still make my heart ache. Whilst it wasn’t as gutting and soul-destroying as A Little Life (in a good way), it was still emotive enough to have me texting friends at all hours with updates of where I was for emotional support. A beautiful piece of fiction, and a family-saga the likes of which I’ve never enjoyed more.

IMG_1519 2

4. This is Going to Hurt by Adam Kay

Perhaps one of the most important pieces of non-fiction to read in 2017, and I hope that it’s one that everyone does read. Charming, hilarious, and moving, this has you crying from laughter one moment and just all out crying from despair the next. Brilliantly told, and its message is unmistakable; we need to help our NHS, and we need to do it now.


3. Strange the Dreamer by Laini Taylor

Ah, the top three. What a wonderful place to be – and in third Laini Taylor has more than earned her spot, her Strange the Dreamer winning my heart within mere pages. It was fantasy the likes of which I can’t ever remember reading before, the type that would make your heart feel full and send your spirit soaring. Strange the Dreamer felt like it was written just for me, for all those dreamers and book-lovers in the world who find solace within the written word and see stories and adventures where other people would see lines on pages. After reading this book, I bought the whole of her previously written trilogy without even reading the blurb of it, knowing that this author would not fail me – and having just finished the second in the series this afternoon, I’m pleased to say that this statement holds true.


2. Insomniac City by Bill Hayes

I don’t think I’ve stopped talking about this book since I finished it. I also have continued to recycle the same sentences when trying to describe it, telling everyone that it is a love letter to New York and captures Hayes’ life with partner Oliver Sacks. It’s filled with stories of his work as a photographer and the people he meets, and the love story between him and Sacks pretty much had me in a constant state of vulnerability and warring emotions as I tried not to descend into sobs. Truly beautiful, and it’s a book that has sparked a need inside me to read more and more non-fiction – I honestly feel like I owe so much to this one book. An incredible writer without doubt, and there is no reason that I could think of as to why someone wouldn’t like this book.


And, finally, my number one.

1. Circe by Madeline Miller

This book hasn’t even been published yet, but it still remains as my favourite read of 2017. The Song of Achilles holds its spot at the top of my all-time favourite reads, and Circe joins it in the ranks. It’s everything I want from a book, with classical inspiration, beautiful prose, and characters that make me want to fling myself into the narrative just so I can spend some time in their company. Miller’s use of language is skilled and seemingly effortless, and the Classicist within me is so grateful and overjoyed to have her writing such excellent fiction based off of myths. She manages to rewrite them in ways that make them seem fresh and new, without changing anything fixed – she merely adds elements that, if you didn’t know any better, Homer must have just left out. She brings new life to these old characters, and even though you know how their stories end she still manages to keep you hooked, and also cruelly gives you a glimmer of hope that tragedy will not come their way. Just superb.


And that, reader, is my list of my top 10 reads of 2017. Let me know your favourites and what you’ve read, or if you agree with any of my favourites. Go forth, read widely and diversely, and report back. I personally hope to gain even more from what I read in 2018, from reading more non-fiction to reading more from POC authors. It’s very apparent that I have hardly any POC authors near the top of my list, which definitely means that I’m not reading enough by them. If anything, reading opens up the world in a way that nothing else can, and it’s very clear that if I only read white authors, that’s the only view from which I’ll be able to understand the world around me – and I’m a girl who likes her varied vantage points.

So, once again, let’s smash 2018.


The Secret History by Donna Tartt

It really goes to show that sometimes when your friends recommend you something, it ends up being one of the best things you’ve read in a long while – and also helps to increase your trust in your friends’ tastes. The Secret History by Donna Tartt is one of those books for me, as almost everyone at work – and a few outside of work – have told me for ages that I would adore it. Every time I mentioned that I hadn’t read it, I would receive a gasp from my audience which would be immediately followed by something along the lines of ‘But you have to read it, you’re going to love it’. They were right.

*This is a spoiler free review*


Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last – inexorably – into evil.

This book is narrated by Richard, a young man from California who moves to a university/college to study Classics (and this is where I do a mini dance for the glory of study Classics, but a word of warning: if you study Classics you will not do what these students do. Or at least I bloody well hope not). On arrival at his new college, he discovers that there is an elite group of students who study with one particular teacher, who is known for refusing to take on anyone else. When Richard manages to be accepted into the fold, he discovers that there are many secrets within this group, ones that he is desperate to discover.

What is immediately enticing about this book is that it does not start with Richard moving to this new school. No, instead this book starts with the murder of one of these students, a young man nicknamed Bunny, at the hands of his classmates. Now before you start declaring me as your spoiler enemy, relax – this is said on the blurb and on the opening page. You go into this book knowing that somehow, and for some reason, Richard and these other elite students decide to murder Bunny. You only get a few pages in this opening before it jumps back to when Richard joins the college, and he narrates from some distant time that you’re not exactly aware of. I worried that I would grow bored of a book knowing this climax, but I was entirely wrong. There are so many other events that take place, and experiencing a book knowing that one of the main characters will be murdered is unlike any other. You’re constantly trying to connect the dots to various secrets and see how they all add up, and you’re questioning every tiny detail. I was desperate to keep reading only so I could find out what was going on, and once you know the secrets it feels like you as a reader are included in this elitist group.

I enjoyed the Classics references for obvious reasons, and all I can say is that after reading several books recently that made me feel slightly stupid for not getting the references (looking at you Chris Kraus), I was overjoyed to understand the finer details of this book. You grow to love these strange characters, and equally fall out of love with them. Tartt’s writing is beautiful and elegant, her sentences almost like poetry at times with the lyrical, whimsical nature. Storytelling at its finest, and it has to be when you know about Bunny’s murder from the get-go.

Overall, this book was an easy five stars for me. I’d recommend it to everyone, especially classics lovers, as it blends literary fiction with murder mystery with thriller. Just brilliant.

August Reading Wrap Up

It’s that time of the month again – no, no, not that one, the one where I talk about books. (Sorry, that was terrible, let’s move swiftly on).

So this month I read three books, which isn’t as brilliant as I’ve done on previous months but I’m still pretty happy with it. It wasn’t helped by the fact that I moved flat and had my first official month of full-time work, so I’ve been a bit too exhausted to think about reading some days. Still, it isn’t a race I suppose at the end of the day, and rather about enjoying the activity. (At least that’s what I’ll tell myself when I stare at the three books as if they’ve personally offended me).

The first book that I read, and what a book it was, ended up being Insomniac City by Bill Hayes. This was a game changer for me for so many reasons, as it had me smiling and crying, filling me with hope, pain, excitement, loss, and so many other emotions I can’t even begin to describe. Non-fiction, this book is narrated by Bill Hayes and we follow his move to New York, along with his subsequent relationship with Oliver Sacks. It’s beautiful, to say the least, and made me look differently at the world around me. Hayes is a writer and photographer, and the book is filled with various photos he’s taken around New York, of people and places. It emphasises the notion that everyone has a story, and ever since finishing I’ve made an effort to look around a little more, something you truly forget to do sometimes after living in a city for a while. He so beautifully depicts so many different things, such as love and grief. Overall, this book made me pause and made me appreciate everything around me. A five star read, without a doubt.

Making the most of the August weather. 

It was difficult to know what to follow Insomniac City with, as I certainly couldn’t read any other non-fiction or light fiction. It ended up, as always, with me going to something completely different, which was the fantastical Nevernight by Jay Kristoff. The only other books I’ve read from this author are the Illuminae Files series, which he writes alongside Amie Kaufman. I was interested to see what he writes like alone, and not targeted at Young Adult, and I wasn’t disappointed. There is a third person omniscient narrator, who has one hell of a voice with plenty of snarky asides and lecture-like footnotes detailing various things, and through this voice we follow the story of Mia, a young girl training to be an assassin. I struggled with the start of this book (it took me a while to navigate the narration as it opens with some very, shall I say, interesting scenes that run alongside each other. The two scenes correlate and mirror each other, but whereas one depicts a sexual encounter, the other involves a murder. It’s fun), but overall I truly enjoyed it. I’ve been sent a proof by the publishers, so I’m looking forward to delving back into that world soon.

My third and final book was Autumn by Ali Smith, which one of my best friends has been badgering me to read for almost a year now. I’ve been meaning to read something from Ali Smith for a long time now, and I’m glad I started with this. She writes poetically, but by no means superfluously, and the rhythm in her language and prose truly makes it feel like art. A reflection on Brexit, this novel is a perfect balance of tactful commentary and pointed musings. You follow two characters and their relationship with each other, along with the things that made them who they are and how their lives have been affected. It’s a novel about identity, a topic especially important when thinking about what Brexit means for national identity. A lovely read, and I look forward to the rest of the quartet.


Which brings me to the end of this wrap up! I thoroughly enjoyed each book I read, and here’s hoping I’ll be able to read books that are just as good in September (though I don’t know how anything can beat Insomniac City at this stage). In terms of challenges, Autumn has ticked off the ‘friend’s favourite book’ goal, and IC was another friend’s favourite book (especially as she then bought it for me), so that’s an extra tick for number 9! Nevernight is not ticking anything off for this month, so it’s a good thing I enjoyed it immensely.


  1. ***4 ‘Classics’
  2. *A Man Booker nominee
  3. **A Baileys nominee
  4. *A Feminist Book cover to cover
  5. **‘A Blue Cover’
  6. *A Graphic Novel
  7. A Horror Book
  8. ***Finish a series you’ve started
  9. **A friend’s favourite book
  10. **Poetry book
  11. *Book over 500 pages
  12. *Book under 150 pages
  13. Book with a character with your name
  14. *An autobiography
  15. **A play
  16. ***A book from your TBR
  17. *******Book published in 2017

September, bring it on.


milk and honey by Rupi Kaur

This is a very difficult review for me to write, especially as this is a collection of poems that has become a sensation. I always want to support anything that gets people reading, and what I will say now is that this is the first lot of poetry that I have read outside of university reading for a long, long time. Because of this collection I will be going on to try more poetry, and for that I’m grateful. Before getting into it, here’s a quick overview of what milk and honey is.


milk and honey is a collection of poetry and prose about survival. It is about the experience of violence, abuse, love, loss, and femininity. It is split into four chapters, and each chapter serves a different purpose, deals with a different pain, heals a different heartache. milk and honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.

This poetry collection started out as a social media sensation where Rupi Kaur rose to fame, only to become an international bestseller. It’s easy to see why this book resonates with so many, especially with women as Kaur chronicles her experiences. It is without doubt that the author has poured her heart intro this text, and I went in to read this boosted by all of the hype surrounding it. Split into four sections, Kaur has very short poems and illustrations within each. Very short, to the point where you can probably get through it within a day (as did I). What I will say is that I thought the illustrations added a lot to the text itself, and without them I think my overall review of the poems would have been much lower.

As a whole, this particular poetry collection did not speak to me or resonate, but what I found difficult was that I wasn’t impressed by the poems. Even though you might not enjoy something, you can appreciate and respect it for what it is, yet milk and honey just came across as lazy poetry to me. This, of course, is coming from someone that reads very little poetry, so remember that I am no expert. The best qualification I have is that I’ve participated in a lot of epic poetry modules in the past (yay for Homer and Milton) and within the last year have studied sonnets in depth. So I have some knowledge from an education standing, and again whilst I did not like every sonnet I read, I could see why it was so clever and creative. This is why, when reading milk and honey, I could not understand what it is that brought such attention. Perhaps it’s the stark portrayal of womanhood, and the themes that are dealt with are challenging and explicit, yet I just kept wanting more. Whenever there was a moment, say Rupi Kaur makes a statement about race or femininity or gender, she just leaves it without expanding on it. This was the most frustrating thing for me, as it felt like she wasn’t doing anything new with it all.


I wanted to scream ‘show don’t tell’ at the author all the way through. She left nothing to the imagination, to the point where it felt like she was demeaning the importance of the reader. Nothing was left to interpretation – almost every poem had a line in italics at the bottom which literally told you what the poem was about. It felt like an author writing a sentence in their book such as ‘he stared at the walls, everything a dark, miserable blue (he is very sad, so everything is dark blue because he is sad, it’s all awful, and sad)’. Ok, maybe that’s a little over-exaggerated, but that is what I felt when reading this. I felt like my role as a reader was diminished, that instead of it being a conversation between writer and reader it was a lecture. No room for interpretation or creativity or thought, just bam this is what I think no you cannot speak this is about me.

The latter section entitled ‘healing’ was by far my favourite, and the poems that I liked the most were from this section. I definitely think that there are good poems within the collection that I did enjoy, but on the whole it didn’t resonate with me. I wanted it to be more complex, less simplistic, encouraging me to find meanings rather than telling me. The messages she tried to get across are brilliant, but I’d prefer it if she found a more lyrical, allusive way of speaking to the reader, rather than just explicitly stating what she wanted the reader to take from each poem.

So, whilst not the same reaction as the majority of the population, this was mine. And I know, I am one person amongst millions and my thoughts are completely my own and should not affect your appreciation of the text. No one should feel like they should/should not like this collection just due to one person’s opinion. If you have read it, or are planning on it, please let me know so we can discuss it – I’d love to hear from people who absolutely adore it, and would love to see it from another angle.


May Fairyloot Unboxing

It comes as no surprise that book subscription boxes are my vice, and every month if I have saved enough money and can come up with a good enough excuse why I should treat myself (this month’s excuse was exams, in case you were curious), I ordered myself one. Fairyloot has definitely become my go-to for subscription boxes, as not only are they a UK based company, but also for the fact that every single one I’ve had in the past I loved. It also helps that the May theme was ‘Warriors & Legends’, and as a Classics student who is a huge fan of epic and wrote her dissertation on heroes, this was definitely going to be a box for me.


Featured above is the design for this month, which was also included on a book mark – and, again, I’m a girl who is a big fan of all things dogs so clearly we’re onto a winner already.

The first two items were a tin of green tea named after the box from The Tea Leaf co and an exclusive candle titled ‘Mist’ to fit the theme of the book for this month’s box from In the Wick of Time. Two really lovely items, both of which I’ve already used (and, obviously, loved).

These next two are perhaps my favourite items in the whole box. The first is a pair of Celtic Socks, I believe from Fairyloot themselves, which are as comfortable as they are pretty. Then, as if this box was directly aimed at me, someone who basically tailored their degree into one on Ancient mythology, they included the book World Mythology in Bite-sized Chunks by Mark Daniels. Both items are just so well thought out and definitely work with the theme – and did I mention how much I love it? Yes? Oh.

Then we have a stunning bookmark from Ink and Wonder with a quote from The Lord of the Rings, ‘One ring to rule them all’. Apparently their bookmarks are made from sustainably sourced wood, so how can you not love it? Then there is the brilliant Metallic Feather Pen from Flora’s Wonder Emporium which, as you can probably guess from my reactions to everything else in this box, I absolutely adore.


And finally, the beautiful book of this month is Flame in the Mist by Renee Ahdieh. Described as a retelling of Mulan set in feudal Japan, I am so onboard and definitely ready to bump it up on my TBR list – not to mention that it’s just such a beautiful book.

And so I come to the not-really-surprising conclusion that this box was everything I wanted and more, so I would highly recommend to any fantasy booklovers who are interested in trying out a subscription box to look into Fairyloot. Their boxes usually run out pretty quickly every month, so definitely keep an eye out for when they next go on sale as I’m sure you won’t be disappointed.


(Still trying to improve my book-taking photos, and was actually pretty proud of how this turned out. You can however see that the book is balancing on something else, which I’m unashamed to admit is a copy of A Conjuring of Light by V.E Schwab because, honestly, there’s nothing stronger or more stable than that.)

The Power by Naomi Alderman

Most of my comments about this book stem from a discussion we had in a book club meeting last week – something which I want to talk of in itself as it’s such a great experience, but will do that in it’s own post. One thing the group definitely helped with was developing my thoughts and feelings about this specific book, and hearing the varied responses from everyone.


In The Power the world is a recognisable place: there’s a rich Nigerian kid who larks around the family pool; a foster girl whose religious parents hide their true nature; a local American politician; a tough London girl from a tricky family. But something vital has changed, causing their lives to converge with devastating effect. Teenage girls now have immense physical power – they can cause agonising pain and even death. And, with this small twist of nature, the world changes utterly.

The Power is a very, very interesting book to read. Looking at a reversal in the ‘power dynamic’ between genders, it explores what would happen if teenage girls everywhere woke up one day with immense physical power and how it would change our world. Overall, I gave this book 3.5 stars because, looking back, it is a very clever book and what the author was trying to achieve was indeed very good. It explored several various issues and topics and dealt with most of them well, but there are definitely some areas in which it lacks. This discussion I will keep as spoiler free as possible for those of you wishing to read it in the future.

First off, there are four main characters we follow: a man called Tunde from Nigeria who chooses a career in journalism to document the changes in the world, a foster girl called Allie whose religious parents abuse her, a local American politician who wishes to advance in her career, and a girl from London who belongs to a family on the wrong side of the law. We follow these characters and watch as each of them are changed and affected by this phenomenon. It turns out that, whilst initially being interested in all of them, I ended up only really caring about the narrative of one towards the end. Whilst it depends on what interests you, I personally struggled to keep interested in certain character plot developments.

The opening and first third of this book is brilliant, and I devoured it rather quickly. It’s dealt with very well, from initial reactions that really don’t surprise you (the overwhelming response from some of the male population to section off these girls from the rest of society) to the small details of how boys are told not to be out too late or go out on their own. This initial section is what I found really gripping, and it is very striking in how society is presented – mainly due to the fact that the usual, commonplace phrases that girls hear all the time are switched to boys.

Yet, I find that I kept thinking – in the narratives that followed – that this book would work far better as a collection of short stories. It felt like the author was taking on far too much, and it would be better to have more focused individual stories, as there are moments when some things are mentioned in passing to the point of being worryingly underdeveloped. A few of these instances was brought up in our discussion, and one that I want to mention is the discussion on sexuality – or lack of. There is a character within the novel whose power is noted to be ‘defective’, and it just so happens that she is also mentioned to be one of the few queer characters. It also just so happens that, for a time, she dates a boy who has a chromosome deformity, which grants him the use of this power. On top of that, they meet online in a group for delinquents and, in it’s name, it uses two derogatory words that were closely associated with the gay community. Unfortunately, comments on people’s sexuality are not developed, which leaves us with evidence for anti-LGBTQ thought. For the only character who is said to be specifically queer to be ‘defective’ and not develop that sentiment sets a very dangerous precedent, and one that we overall could not support without further knowledge of the author’s intentions.

Again, without spoilers, the ending of the novel was hit and miss with us all – the general consensus being one of bewilderment and confusion. The final pages demonstrate exactly what the author is trying to do, and her final lines are brilliant, and it was those final few pages that bumped up my rating as it is a very clever idea, but perhaps one that is just not executed as well as you might want it to be.

There are a few other downfalls of the book – plenty of stereotypes of classes and accents, not to mention a main character who is said to be Nigerian at one stage but then there is no other mention of his background or culture, like he is a completely blank slate before the novel begins, and it feels as if the author had checklist with ‘black character’ on it. Besides these details, which really only stand out when you finish the book and discuss it in full detail with others, this is a very interesting and important book to read. Whilst I’m sure the author was trying to write a sort of feminist dystopian, much like the Handmaid’s Tale, it doesn’t quite come up to the expectation I held. There is also a worrying notion that this book could be used to support the argument for and against feminism, which I am 99.9% sure was not the author’s intention.

So really I leave it up to you to decide whether or not this book is one that you like. Again, overall, I did enjoy this book and would encourage others to read it – one thing’s for sure: you’ll have something to say about it. Whilst my review doesn’t sound particularly enticing, I do stress that I did end up giving it 3.5 stars, 4 on Goodreads, and there are more than plenty of people who absolutely loved this book. As always, these opinions are my own and they by no means dictate what you will or will not feel – and I’d love to hear what you think about this striking Baileys Prize nominee.